
Glaze chemistry reacts to thickness, to where a pot sat in the kiln and to how fast it cooled. We fire in small loads and accept the variation rather than sorting it out.
01 — Break
Where the glaze thins over an edge the clay shows through. That line is the throw.
02 — Pool
Glaze gathers in the low points and reads darker. No two pots pool the same.
03 — Foot
The unglazed ring is where it stood in the kiln. It should be smooth, never sharp.
Set the table with something thrown by hand.
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Two pots from one bucket of glaze
Thrown, glazed and fired for daily use.